Monday 26 January 2015

Beating the Odds

Originally posted on Rock the Book.

Due to the explosion of ebooks and the destruction of publishing barriers, there are now literally thousands of Indie authors all screaming at the top of their lungs that their books are worth reading. That’s pretty daunting if you’re trying to make your book(s) stand out amongst the crowd. When I started seriously writing four years ago, I was CLUELESS as to what I was really getting into. And yet, somehow, some way, I’ve managed to “make it” after a zillion mistakes, a lot of hard work, and plenty of good old-fashioned luck. Although I don’t pretend to have all the answers or the magic bullet for success, here’s my story along with a few tips that have helped me get from bored fulltime accountant who liked to write stories to fulltime Indie author.
Roll back the tape of my life. I hated being an accountant. Desperately hated it. Long hours, high stress, corporate politics. So I quit my job and switched to another desk job that I’d heard would be less hours and less stress. I had two weeks off in between, and my Aussie wife asked what I was going to do with my break. “Uh, sit on the beach?” I said. She gave me that raised-eyebrow look and said, “Why don’t you start writing that book you always talk about?”

Although the thought of even looking at my laptop during my vacation gave me a stomachache, I listened to her pointed advice. I did it. I started writing. She hasn’t been able to get me to stop since. In four years I’ve written twenty books and published sixteen of them. Two years in I was able to quit my boring day job to pursue my dreams: I became a fulltime fiction writer.

My first trilogy was a huge success, right? Um, no. Not even close. When I published The Evolution Trilogy (a unique non-religious spin on angels and demons) a year after I started working on it, I was ready. Ready for success. Ready for a big payoff from all my hard work. I’d been reading about Amanda Hocking’s success as an Indie author and I said, “Hey, why not me?” Well, because my writing wasn’t good enough. My book idea was awesome and unique and had huge potential, but my writing was amateurish, sloppy, and in desperate need of a good editor. While I wouldn’t say The Evolution Trilogy bombed (it has sold 3,000 books in 4 years), it didn’t come anywhere near my expectations, and it most definitely wasn’t paying any real bills. The reviews were mediocre at best, which was a major reality check. Writing wasn’t as easy as I thought it would be. At first I was heartbroken. Thousands of hours of hard work down the drain. All that hope dashed on the rocky coastline of failure. I didn’t have what it takes—never would.

SCREW. THAT.

I’m the type of person that hates failure. I don’t like losing, especially at something that I love. And I LOVE writing. That’s a major key to success as an Indie author. If your goals (like mine were) are to make millions and be rich and famous, then you’re in the wrong business. Most of us will make a few bucks here and there, and a lucky few will be able to scrape out a living. Even fewer still (the Amanda Hocking’s, Elle Casey’s and Hugh Howey’s of the world) will hit it big. Right now I’m in the middle category—scraping out a living. I’m not complaining, I’d rather scrape out a living as a writer than be earning six digits a year in some job I hate. I’m happy.

My second series was the one that allowed me to quit my day job. Originally I planned another trilogy, but eventually the project turned into a 7-book epic series that combined two separate trilogies, The Dwellers Saga and The Country Saga, in a 7th book that brought characters and plotlines together. So far it’s sold in excess of 30,000 copies in just over two years.

That brings me to another key for success: Building your backlist. Unless you’re extremely lucky and far more talented than me, writing one book a year like most traditionally published authors simply won’t cut it as an Indie. I wrote and published the 7 books in the Dwellers/Country Saga in 20 months. By that point I’d written 1 million words in three years. There are a few good reasons for writing and publishing like a fiend. One, practice is the only way to get better. By having a crazy-aggressive writing schedule you’ll force yourself to improve. Two, every new reader multiplies your potential sales. Suddenly a new reader doesn’t mean just one sale. It means a potential sale for every single one of your books, particularly if your books are in a series. It also means you can magnify the impact of giving away free copies of your books. I’ll pretty much give away an ebook of The Moon Dwellers to anyone who wants one. Why? Because if they like it, they might buy the other SIX books in the series! Quick side note: the BEST way to give away free ebooks is buy making your book free on Kindle through Amazon’s KDP Select program. The BEST way to advertise that is via BookBub, which seems extremely expensive but which is WELL worth the money. As an example, I advertised The Moon Dwellers for FREE on BookBub and had 30,000+ downloads in three days. Then I did Fire Country a month later and had 27,000+ downloads. Obviously, I made zero royalties from these downloads, but sales of the sequels took off, and I had four straight months of 2,000+ full price sales. These months changed my life. You might have tried BookBub. You might have been rejected multiple times. I was too. They are extremely selective, which is also what makes them so valuable. Keep trying. Continue to build your reviews on Amazon. If you can get over 100 with a decent average rating, that’ll give you a chance at being accepted by BookBub. Don’t give up!

So you’re probably thinking the Dwellers Saga was an instant success, right? Try again. My third year as an Indie was decent, far better than I ever could have expected. Although I wasn’t making enough to live on, my wife and I had savings and we decided to quit our jobs to make a go of my dream, with her as my editor. A big risk, but that’s what life is anyway: one massive risk. My writing was improving, and I wasn’t going it alone anymore. I’d learned the hard lesson that good writing takes work. It also takes serious criticism from serious critics. I started using a beta reading team, and I stopped brushing negative feedback aside as “Just one person’s opinion.” I realized my writing sort of sucked and that I needed to learn how to improve it. I focused on every single sentence, every single chapter. Making them tighter. Making them better. I read books on writing, like Stephen King’s On Writing and Donald Maas’s Writing the Breakout Novel. I improved with each book, and my readers noticed. They appreciated my efforts. They were fully along for the ride.

Partway through the third year I started a Goodreads fan group. Right off the bat I had 300 members. Woohoo!! I was ecstatic. Over the moon. Six months later I was churning out the sequels to The Moon Dwellers and I still had around 300 members. What? I couldn’t understand why my membership wasn’t growing. The Dwellers Saga was getting great reviews, but my fan group was dead. No activity. No interest. I decided to change things up. My biggest problem was that I made the group all about me. And who was I? Nobody. Just another person who writes books, another tree in the forest. So I changed things up. I made the group all about books. My books, someone else’s books, reading in general. Anything was fair game. It became a place where anyone could hang out and talk about their interests, passions, and experiences. The group started growing and now has more than 2,600 members, many of whom have never, and may never, read my books, which is perfectly fine by me, so long as they read other books. You see, it’s NOT all about you as a writer. It’s about READERS. The more readers we have, the more readers enjoy reading, the better it is for everyone. Become part of a book community, not for the purpose of selling your books, but because you love books like all the other people. I recommend Goodreads, but there are many others out there. Take it seriously. Participate in discussions. Make friends. Don’t spam about your book. Readers will realize you’re a valuable member of the community and they’ll click on your profile and discover you’re an author and get EXCITED about that fact and potentially try your books. I’ve had numerous people message me on Goodreads to say they’ve been my friend for over a year and never knew I was an author, but loved all the book recommendations I gave them (books that weren’t mine!). In most cases they said they’d give my books a shot.

Year four. The best year. Part luck. Part hard work. Part good timing. The Dwellers Saga was listed as one of 15 Series to Read if you Enjoyed The Hunger Games on Buzzfeed. Sales shot up. A couple movie inquiries came in, as well as a TV inquiry (nothing has panned out so far, but it’s still cool!). An agent contacted me and eventually signed me. I wrote another trilogy, Brew, and although it had interest from publishers including a purchase offer, my agent and I decided to sign on with Amazon White Glove. Brew, and its sequel, Boil, hit the top ten on genre bestseller lists almost immediately. I stopped eating away at our savings and started paying bills with my royalties—ALL our bills. It could happen to you, but don’t expect it to. Expect to have to fight for every reader. Treat every reader like your ONLY reader. Be generous with your free books, especially the first book in a series. Never stop writing. Never. Do it because you love it and good things will follow.

Never give up.

Saturday 17 January 2015

Fire Country is FREE!

 
To kick off 2015 right, Fire Country is FREE for a limited time only, from January 17-21, as advertised on BookBub!

BUY Fire Country HERE

Positive Praise for Fire Country from Bestselling Authors:

-"Exciting Post-Apocalyptic Tale...world building is rich, detailed, and believable. Readers who enjoyed Blood Red Road by Moira Young will absolutely love this book!"- Mike Mullin, bestselling author of ASHFALL

-"Fire Country is a fast, fierce read. You will root for the protagonist, Siena, and her story will rake you across the coals. I will be keeping an eye on David Estes. You should too!" -Emmy Laybourne, bestselling author of MONUMENT 14

-“Strong world building and vivid characters make Fire Country stand out from other post-apocalyptic YA novels. Young Siena is spunky and believable, and readers will pull for her to escape the clutches of her father and the dystopian society in which she lives.”- Rysa Walker, bestselling author of TIMEBOUND

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And don't forget that you can also GIFT Kindle copies of the books to all your friends, also for FREE. So if you've already read Fire Country, feel free to pass along this limited time offer to your friends and family :)

And even if you don't have a Kindle, you can still download Fire Country for FREE and read it other ways:

-Using a FREE Kindle app for iPad/iPhone
-Using a FREE Kindle app for your PC/laptop
-Using a FREE Kindle app for your newer model Nook

I hope you all get a chance to read Fire Country and enjoy the book! Thanks for your support :)



 

Saturday 10 January 2015

Author Economics- Book Sales

For those of us who want to pursue dreams of writing as a viable long-term financial career path, being an author is about more than just building a backlist of high-quality, well-edited books--it's about SELLING books. As many of you know, the vast majority of authors are forced to have a second job in order to pay their bills. Most people who write a book will make little more than some extra spending money in royalties. It's sad, but it's the truth. Even those who pursue their passion for writing, publishing, and selling with enthusiasm will likely struggle each and every month on the unpredictable rollercoaster of book sales. I know when I was starting out, I was wondering what it would take to allow me to quit my day job and write fulltime. Selling 500 books a month? 1,000? 2,000? "Give me a number and I'll get there!" I told myself. That's what this post is about, the sheer numbers of being a fulltime Indie author and trying to provide for yourself/your family.
(NOTE: I can obviously only explore my own sales numbers and royalties, so that's what I'll focus on here, as one author's example.)

Although I quit my six-figure job as an Operational Risk Manager for a large investment company in May 2012 (a month before The Moon Dwellers was released), it wasn't until July of 2013 that I considered myself a fulltime author. And even then, I was (and still am) making less than a quarter of what I used to make in my boring office job. So what did that mean in the period between May 2012 and July 2013? My wife and I decided to take a major risk, which was to pursue my writing career on a fulltime basis while living off of our savings. Essentially we assumed we'd make ZERO dollars from my book sales, and we budgeted accordingly. I'll reiterate, it was a MAJOR RISK, but in the end it's worked out so far :) So what changed in July 2013? I had my first month of more than 1,000 total book sales! HOORAY! That was a major breakthrough, both financially and emotionally, and it was the start of a very strong period of sales that have carried through to 2015 and allowed me to hide from the whole "getting a real job" discussion.

But despite the happy ending (again, so far), that doesn't mean the road was easy. It's been the exact opposite. I'll use a timeline of monthly book sales to illustrate:

Month Monthly Sales Sales to Date
Oct-11 14 14
Nov-11 86 100
Dec-11 67 167
Jan-12 63 230
Feb-12 67 297
Mar-12 60 357
Apr-12 88 445
May-12 96 541
Jun-12 133 674
Jul-12 200 874
Aug-12 140 1014
Sep-12 194 1208
Oct-12 161 1369
Nov-12 297 1666
Dec-12 473 2139
Jan-13 378 2517
Feb-13 442 2959
Mar-13 452 3411
Apr-13 794 4205
May-13 600 4805
Jun-13 785 5590
Jul-13 1201 6791
Aug-13 1137 7928
Sep-13 1161 9089
Oct-13 2313 11402
Nov-13 2363 13765
Dec-13 2307 16072
Jan-14 1797 17869
Feb-14 1144 19013
Mar-14 1331 20344
Apr-14 2201 22545
May-14 1544 24089
Jun-14 2786 26875
Jul-14 1308 28183
Aug-14 1362 29545
Sep-14 959 30504
Oct-14 1439 31943
Nov-14 2253 34196
Dec-14 2083 36279

Despite the fact that I’ve managed (thanks to my awesome readers!) to consistently exceed 1,000 books sold per month over the last 18 months, sales vary widely. This is what really makes having a career as an Indie author HARD. Not knowing how much you’ll make each month is scary. Most of the time I just have to have faith that my readers will continue to get the word out about my books and support me, which they always seem to do!

Some other things worth noting from the above table:

1) This does NOT include books I’ve given away for FREE, which exceed 100,000! I’ve given away almost 3 times as many books as I’ve sold!

2) This DOES include $0.99 sales, from which I receive very little income ($0.30-$0.40).

3) Months in which there is a significant increase in sales usually correlate with a major promotion that I’ve run. These types of promotions can cost anywhere from $100 to $500, which offsets some of the royalties I receive.

4) It’s also worth mentioning that over the course of my short career, I’ve gone from a single published trilogy, to 18 published works. Part of the growth trajectory is simply due to the fact that I’ve continued to write and publish more books every few months.

Obviously, the raw data I’ve provided above only provides a relative indication of the actual dollar value of royalties that I received. In terms of actual royalties, a typical month usually yields anywhere from $2,000 to $4,000 (before expenses), a huge range when it comes to trying to make a living!
Also, as you can see, the fight isn’t over yet! I sold fewer books in December 2014 than in December 2013, despite having released four new books. Nothing is guaranteed in this business, and in order to keep my career, I have to continue to work hard each and every day to write new books, connect with my readers, and navigate the changing publishing landscape.

I offer insights into my own personal book sales not to scare aspiring Indie authors, but to give you all the facts about what it takes to “make it” in this business. The journey is long and full of ups and downs, but that doesn’t mean it’s not worth the sacrifices we make. In fact, I think it’s the opposite—the most rewarding experience of my life. My wife and I are willing to live on a lower budget so we can live the way we want. We don’t care about getting rich, only that we have enough money to provide for the simple life we enjoy. It’s not for everyone, but it’s for us!

Best of luck to all those Indie authors out there trying to scrape out a living, please feel free to comment with any specific questions you have about Author Economics.